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Mosaic Records
tracks 7-7, 7-10, 7-15 arranged by Alfredo Antonini
tracks 8-18 band The International Youth Band
tracks 2-1 to 3-12, 4-1 to 4-17, 6-10 to 6-18 bass Arvell Shaw
tracks 1-1 to 1-21 bass Bob Haggart
tracks 4-20 to 6-8, 7-1 to 7-16, 8-1 to 8-17 bass Dale Jones
tracks 4-18 bass Jack Lesberg
tracks 9-2 to 9-23 bass Mort Herbert
tracks 8-18 bass Ruud Jacobs
tracks 2-1 to 3-4 clarinet Barney Bigard
tracks 3-5 to 3-12, 4-1 to 6-8, 6-10 to 6-18, 7-1 to 7-16, 8-1 to 8-17 clarinet Edmond Hall
tracks 1-6 to 1-21, 9-2 to 9-23 clarinet Peanuts Hucko
tracks 7-7, 7-10, 7-15 conductor Leonard Bernstein
tracks 8-18 conductor Marshall Brown
tracks 1-6 to 1-21 cornet Bobby Hackett
tracks 3-5 to 3-12, 4-1 to 4-18, 6-8, 6-10 to 6-18, 7-1 to 7-16, 8-1 to 8-17 drums Barrett Deems
tracks 9-2 to 9-23 drums Danny Barcelona
tracks 1-1 to 1-5, 1-16 to 1-20 drums George Wettling
tracks 8-18 drums Gil Cuppini
tracks 1-6 to 1-15, 1-21 to 3-4 drums Sidney Catlett
executive-producer Michael Cuscuna
tracks 8-18 guitar Gabor Szabo
tracks 3-13, 3-14, 9-1 interviewee Louis Armstrong
tracks 3-13 interviewer Edward R. Murrow
tracks 3-14 interviewer George Avakian
tracks 9-1 interviewer Willis Conover
liner notes Ricky Riccardi
mastered by Andreas K. Meyer
tracks 7-7, 7-10, 7-15 orchestra New York Philharmonic
photography by [cover] Louis Armstrong House Museum
tracks 3-5 to 3-12, 4-1 to 4-18, 4-20 to 6-8, 6-10 to 6-18, 7-1 to 7-16, 8-1 to 8-17, 9-2 to 9-23 piano Billy Kyle
tracks 1-1 to 3-4 piano Dick Cary
tracks 8-18 piano George Gruntz
producer [release] Ricky Riccardi
producer [release] Scott Wenzel
tracks 8-18 reeds Andy Marsala
tracks 8-18 reeds Bernt Rosengren
tracks 8-18 reeds Hans Salomon
tracks 8-18 reeds Jan Ptaszyn Wróblewski
tracks 8-18 reeds Ronnie Ross
tracks 8-18 reeds Vlady Bas
research Anthony Fountain
research Mike Kull
research Ricky Riccardi
research Scott Wenzel
restoration Andreas K. Meyer
tracks 7-14, 7-16 speech Edward R. Murrow
tracks 7-8, 7-9 speech Leonard Bernstein
tracks 7-11 speech Louis Armstrong
tracks 4-1 to 4-16, 6-10 to 6-18 supervised by George Avakian
transferred by Andreas K. Meyer
tracks 8-18 trombone Albert Mangelsdorff
tracks 8-18 trombone Christian Kellens
tracks 8-18 trombone Erich Kleinschuster
tracks 1-6 to 3-4, 9-19 trombone Jack Teagarden
tracks 8-18 trombone Kurt Järnberg
tracks 3-5 to 3-12, 4-1 to 6-8, 7-1 to 7-16, 8-1 to 8-17, 9-2 to 9-23 trombone Trummy Young
tracks 8-18 trumpet Dusko Goykovich
tracks 8-18 trumpet Jose Manuel Magalhaes
trumpet Louis Armstrong
tracks 8-18 trumpet Palle Bolvig
tracks 8-18 trumpet Roger Guérin
tracks 4-18, 5-15, 8-7 vocals Edmond Hall
tracks 1-15, 1-18, 1-21, 2-3, 2-13 to 2-15, 3-3 vocals Jack Teagarden
tracks 1-3, 1-5, 1-8, 1-10 to 1-14, 1-17, 2-8, 2-15, 3-5, 3-9, 3-12, 4-2, 4-3, 4-5, 4-7, 4-8, 4-13, 4-17, 4-18, 5-1.2, 5-3 to 5-7, 5-10 to 5-15, 5-18, 6-5 to 6-7, 6-10 to 6-12, 6-15 to 6-18, 7-4, 7-6, 7-13, 8-2, 8-4, 8-7, 8-11, 8-15, 8-18, 9-3, 9-4, 9-6, 9-7, 9-12, 9-16 to 9-22 vocals Louis Armstrong
tracks 5-14, 6-3, 9-6 vocals Trummy Young
tracks 2-5, 6-4 to 6-6, 8-14, 8-15, 9-16, 9-17 vocals Velma Middleton
Phonographic Copyright (p) Sony Music Entertainment
Copyright (c) Mosaic Records, L.L.C.
Designed At Inkwell, Inc.
Recorded At Town Hall, New York
Recorded At Carnegie Hall
Recorded At Concertgebouw, Amsterdam
Recorded At Teatro Leonardo da Vinci, Milan
Recorded At Columbia Studios, L.A.
Recorded At Empress Hall, London
Recorded At Medinah Temple
Recorded At Lewisohn Stadium Rehearsal
Manufactured By Sony Music Entertainment
℗ 2014 Sony Music Entertainment
© 2014 Mosaic Records L.L.C.

5,000 copies
Tracking duration as shown in the booklet.
This set is dedicated to George Avakian.

SESSIONS DATES AND LOCATIONS:
# 1-1 to 1-5: Town Hall, NYC. May 17, 1947, 11:30 p.m.
# 1-6 to 1-21: Town Hall, NYC. May 17, 1947.
# 2-1 to 3-4: Carnegie Hall, NYC. November 15-16, 1947, 11:30 p.m.-2:30 a.m.
# 3-5 to 3-12: Concertgebouw, Amsterdam, Netherlands. October 30, 1955.
# 4-1 to 4-16: Columbia/Philips Session. Teatro Leonardo da Vinci, Milan, Italy. December 20, 1955, 1:00 a.m.
# 4-17: Carnegie Hall, March 17, 1956.
# 4-18: Empress Hall, London, May 1956.
# 4-19, 4-20: Accra, Ghana, May 24, 1956.
# 5-1 to 6-8: Medina Temple, Chicago, June 1, 1956.
# 6-10 to 6-18: Columbia Studios, LA, January 24, 1956.
# 7-1 to 7-6: Lewisohn Stadium Rehersal, NYC, July 14, 1956.
# 7-7 to 7-16: Lewisohn Stadium Rehersal, NYC, July 14-15, 1956, 8:30 p.m. start.
# 8-1 to 8-17: Newport, RI, July 6, 1956.
# 8-18 to 9-23: Newport, RI, July 6, 1958.

PREVIOUSLY UNISSUED:
2-1, 2-2, 2-6, 2-12, 2-16, 3-2, 3-4, 3-9, 3-12, 4-9, 4-11, 4-13, 4-15, 4-18 to 4-20, 6-13, 6-14, 6-16 to 6-18, 7-2, 7-4, 7-6, 7-7, 7-10, 7-14, 7-16, 8-2, 8-7, 8-11, 8-16, 9-2, 9-6, 9-20, 9-23.

NOTES TO SESSIONS:
# 3-5 to 3-12: Back Home Again In Indiana appeared on Columbia CL 1077 but without the bass solo which is being released here for the first time. Some discographies state that Muskrat Ramble is from either a Milan Concert of December 19, 1955, a studio session in Milan right after the concert, or the Los Angeles studio session of January 24, 1956 (even it possesses an RHCO matrix number). Refer to the liner notes for more details.
***
# 7-1 to 7-6: On Columbia CL 931 two other titles are shown as being from this concert but they are other from locations (Indiana from the Medina Concert and Mack The Knife, which is a composite from an unused September 28, 1955 studio session take and the July 14, 1956 Lewisohn rehearsal performance).
***
# 7-7 to 7-16: Two run-throughs of St. Louis Blues are also from this rehearsal but are not included in this set. The issued take of Way Down Yonder In New Orleans of the Columbia CD CK 47916 was released without the bass solo. The issued take of Mahogany Hall Stomp was edited on the Columbia LP CL 1077.
***
# 8-1 to 8-17: On Columbia CL 931 two other titles are shown as being from this concert but they are from other locations (Indiana from the Medina Concert and Mack THe Knife, which is a composite from an unused September 28, 1955 studio session take and the July 14, 1956 Lewinsohn rehersal performance). Both Bugle Blues/Ole Miss and Whispering were edited for the LP release.
***
# 9-1 to 9-23: Lazy River and the second performance of When The Saints Go Marchin' In are edited on all known releases.

Track 4-19 is Public Domain.
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