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art direction [cd 2] Jerry Takigawa
art direction [cd 4] D. K. Niwa
tracks 3-3 to 3-5 composed by Brian Keane
tracks 3-4, 3-5 composed by Henry Wolff
tracks 3-1, 3-2 composed by Henry Wolff & Nancy Hennings
tracks 3-1, 3-2 composed by Mickey Hart
tracks 3-3 composed by Nancy Hennings
cover [cd 1 & 2], artwork [cd 1 & 2], design [cd 2], cover [front cover collage, cd 4 & 5], design concept [cd 4 & 5] Nancy Hennings
design [cd 3] Johanna Shields
tracks 3-3 to 3-5 edited by Ron Bach
tracks 1-1 to 1-7 edited by [digital editing - assisting], remastered by [assisting] Henry Wolff
tracks 5-1 to 5-14 edited by [digital editing by] Ron Bach
tracks 1-1 to 1-7 edited by [digital editing], remastered by Ron Bach
tracks 3-1, 3-2 engineer Bob Hodas
tracks 3-3 to 5-14 engineer Brian Keane
tracks 3-1, 3-2 engineer Dan Healy
tracks 4-1 to 4-6 engineer John Montagnese
tracks 4-1 to 5-15 engineer Matt Lane
tracks 3-3 to 3-5 engineer [assistant] Fred Loulis
tracks 3-1, 3-2 engineer [assistant] John Cutler
tracks 5-1 to 5-14 engineer [assistant] John Montagnese
tracks 3-3 to 3-5 engineer [assistant] John Mozzi
tracks 3-3 to 3-5 engineer [assistant] Rick Kwait
graphics [allm cd 1], artwork [visuals, cd 1], typography [cd 1] Nancy Hennings
graphics [cd 5], design [cd 5] Fernando Lippa
illustration [cd 3 front] Nancy Hennings
liner notes [and texts, cd 1, 2, 4] Henry Wolff
tracks 4-1 to 5-14 mastered by [digitally mastered by] Dan Hersch
tracks 3-3 to 5-14 mixed by Brian Keane
tracks 2-1 to 2-11 mixed by Henry Wolff
tracks 3-3 to 3-5, 5-1 to 5-14 mixed by Matt Lane
tracks 2-1 to 2-11 mixed by Nancy Hennings
tracks 2-1 to 2-11 mixed by Stephen Hill
tracks 1-1 to 1-7 mixed by [original mix], mastered by Henry Wolff
tracks 1-1 to 1-7 mixed by [original mix], mastered by Tony Platt
tracks 4-1 to 4-6 mixed by [with assistance by] Henry Wolff
tracks 4-1 to 4-6 mixed by [with assistance by] Matt Lane
tracks 3-3 to 3-5 performer Brian Keane
tracks 3-1 to 3-5 performer Henry Wolff
tracks 3-1, 3-2.4 performer Jody Diamond
tracks 3-1, 3-2 performer Mickey Hart
tracks 3-1 to 3-5 performer Nancy Hennings
tracks 3-1, 3-2.4 performer Sandy Sawyer
tracks 5-1 to 5-14 performer [musical performances and instrumentals by], bells [tibetan bell ensemble], percussion [percussion ensemble], instruments [other acoustic instruments] Henry Wolff
tracks 5-1 to 5-14 performer [musical performances and instrumentals by], bells [tibetan bell ensemble], percussion [percussion ensemble], instruments [other acoustic instruments] Nancy Hennings
photography by [cd 2 back cover photograph] Stephen Hill
tracks 3-3 to 5-14 producer Brian Keane
tracks 1-1 to 1-7 producer [compact disc] Tom Spontelli
tracks 2-1 to 2-11 recorded by Bob Olhsson
tracks 2-1 to 2-11 recorded by Stephen Hill
tracks 5-1 to 5-14 technician [technical assistance by], sampler [musical samples by] Jay Gogan
Phonographic Copyright (p) Vajra Music
Phonographic Copyright (p) Celestial Harmonies
Phonographic Copyright (p) Rolling Thunder Productions, Inc.
Phonographic Copyright (p) Henry Wolff & Nancy Hennings
Copyright (c) Vajra Music
Copyright (c) Celestial Harmonies
Pressed By Sonopress
Pressed By Sonopress
Pressed By Sonopress
Pressed By Sonopress
Published By Vajra Music
Recorded At Celestial Sound, San Francisco, CA
Recorded At Rolling Thunder Studio
Recorded At Grateful Dead Sound Studios, San Rafael, California
Recorded At Pulse Wave Underground Recording Studios
Recorded At Carriage House Studios
Mixed At Carriage House Studios
Edited At Editmasters
Mastered At DigiPrep
Remastered At Editmasters
CD 1:
This album is a digital re-mastering of the original Tibetan Bells released in London, England, 1972

Digital editing and re-mastering, Editmaster Studios, Chatham, New York
Original mix and mastering, London, 1972
All other credits London, 1972 stand as noted.

Total Playing Time: 34 minutes, 54 seconds
Released by arrangement with Island Records.
All compositions published by Vajra Music (ASCAP), New York
All compositions administered by Vajra Music (ASCAP), New York

© & ℗ 2002 Vajra Music

CD 2: A Celestial Sound Production
Total Time: 50:50

Except for Leaving the Body and Astral Plane, both taped at an earlier date in Formentera, Spain, the whole of Tibetan Bells II was recorded during June, July and August, 1978, at Celestial Sound Studios, San Francisco, California.

On rear tray:
© & ℗ 1978 Celestial Harmonies
Released by arrangement with Pacific Arts Records
Printed and manufactured in Germany

On rear booklet:
© & ® 1978 Celestial Harmonies
Released by arrangement with Pacific Arts Records

On CD:
© & ℗ 1978 Celestial Harmonies
Made in Germany

CD 3: Total Time: 51'52
Yamantaka was recorded in November, 1982, at the Grateful Dead Sound Studios, San Rafael, California and Rolling Thunder Studio, Novato, California.
[Tracks 3 to 5] were recorded as bonus tracks especially for the CD reissue of Yamantaka. These tracks were recorded digitally in July of 1991 at Pulse Wave Underground Recording Studios in Trumbull, Connecticut. They were mixed at Carriage House Recording Studios in Stamford, Connecticut and digitally edited at Edit Masters in Chatham, New York.

℗ 1983 Rolling Thunder Productions, Inc. and Henry Wolff & Nancy Hennings (Tracks 1 and 2)
℗ 1991 Celestial Harmonies (Tracks 3-5)
© 1983 & 1991 Celestial Harmonies
Printed and manufactured in Germany

CD 4: Total Time: 52'03

All sounds on this recording were created solely by bells, bowls, cymbals, gongs and wind chimes. No electronic effects or synthesizers were used (although special microphone positioning techniques and tape manipulation were employed on The Empty Mirror and Crossing The Line.)

All compositions except Spacelights (the basic tracks for which had been recorded previously in California) were recorded flat, meaning with no equalization of any kind. This recording was made on a 24 track Otari running at 30 i.p.s. The mix down was made to Sony PCM-F1 through an automated SSL console.

These microphones were strategically places in a slightly reverberant room: 2 Brüel & Kjær 4003, 2 AKG 414, 2 AKG 451, 2 Sennheiser 421, 2 Neumann U47, 2 Schoeps PZM, 1 AKG D12 , and 2 vintage RCA 44 (ribbon).

All compositions published by Vajra Music (ASCAP).
All compositions are administered by Mayflower Music Corp.

© & ℗ Celestial Harmonies
Tuscon, Arizona

Printed in W. Germany
Made in Germany

CD 5:
Recorded May 1990 at Carriage House Studios, Stamford, Connecticut
Digitally mastered [at] DigiPrep, Hollywood, California

Through the Ice, Herald of Sh'ang Sh'ung, and In the Valley of Sh'ang Sh'ung, and parts of Gates of Sh'ang Sh'ung, make use of tapes of echoes made at sites in the Tibetan Himalayas.
Parts of Snowblind recorded in California.
Serenade includes tapes recorded in India.
Blue Sheep was recorded live to DAT.

Total time: 54'40

All compositions published by Vajra Music (ASCAP), and administered by Mayflower Music Corp. (ASCAP)
℗ & © 1991 Celestial Harmonies

Printed and manufactured in Germany [on rear tray]
Printed in Germany [on rear booklet]
Made in Germany [on CD]

Packaged in a standard jewel case with 8-page booklet.
Barcode: 0 13711 99172 7
Barcode: 6 60662 20592 4 (CD 1)
Barcode: 0 1371-13005-2 9 (CD 2)
Barcode: 0 1371-13003-2 1 (CD 3)
Barcode: 0 1371-13027-2 1 (CD 4)
Barcode: 0 13711 30372 8 (CD 5)
Mastering SID Code: IFPI LB 47 (CD 4)
Mould SID Code: none (CD 1)
Mould SID Code: IFPI 07101 (CD 2)
Mould SID Code: IFPI 0761 (CD 3)
Mould SID Code: IFPI 0774 (CD 4)
Mould SID Code: IFPI 0723 (CD 5)
Matrix / Runout: 61143/2-1 (CD 1)
Matrix / Runout: [Sonopress Logo] B-8138/ 13005-2 03 (CD 2)
Matrix / Runout: SONOPRESS F-5690 / 13003-2 A1 (CD 3)
Matrix / Runout: [Sonopress Logo] C-3976/ 13027-2 12 (CD 4)
Matrix / Runout: [Sonopress Logo] F-0571/ 13037-2 J (CD 5)
Rights Society: ASCAP (CD 1)
Rights Society: GEMA (CD 2 to CD 5)
Label Code: LC 7869 (CD 2 to CD 5)
Other: 0001 (CD 1 catalog number)
Other: 13005-2 (CD 2 catalog number)
Other: 13003-2 (CD 3 catalog number)
Other: 13027-2 (CD 4 catalog number)
Other: 13037-2 (CD 5 catalog number)