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a&r [administration] Hector Aviles
a&r [assistance] Ali Samii
a&r [assistance] Big Stan
a&r [assistance] Sheena Curry
a&r [assistance] Uncle Ralph
a&r [direction] Folayan Knight
art direction, design Akisia Grigsby
edited by [editing] Andy VanDette
edited by [editing] Dominic Barbara
executive-producer Joaquin "Waah" Dean
executive-producer [co-], a&r [direction], a&r [administration] Latarche "Nas" Collins
executive-producer [executive in charge of production] Ray D. Copeland
executive-producer, a&r [direction] Darrin Dean
executive-producer, a&r [direction], executive-producer [executive in charge of production], management [marketing], art direction Earl Simmons
legal [legal counsel] Jeff Kempler
legal [legal counsel] Jill Ramsey
legal [legal counsel] Jonathan Lieberman
legal [legal counsel] Matthew J. Middleton
legal [legal counsel] Ralph Cathcart
legal [legal counsel] Susan Sneider
liner notes Takashi Futatsugi
management Ray D. Copeland
management [recording administration] Tony Vanias
marketing Jazz Young
mastered by Tony Dawsey
tracks 1 to 4, 6, 7, 13, 16, 17 mixed by Brian Stanley
tracks 10, 11, 15 mixed by DURO
tracks 5, 8 mixed by Rich Keller
photography by Vincent Soyez
tracks 3, 5 producer Black Key
tracks 1, 6, 9, 12, 14, 16 producer DMX
tracks 2, 4, 7, 9 producer Damon Blackman
tracks 6, 10 producer Kidd Kold
tracks 8, 11 producer P.K.
tracks 15, 17 producer Swizz Beatz
tracks 1, 6, 8, 10, 11, 15, 17 recorded by Brian Stanley
tracks 2 to 5, 7, 9, 13 recorded by Jaime Weddle
tracks 2 to 5, 7 to 9, 13 recorded by Otto D'Agnolo
stylist Vincent "VJ” Lake
stylist [stylist assistant] Sherrell "Shaya" Williams
tracks 8, 11 written-by Anthony Fields
tracks 6, 10 written-by Brian Collins
tracks 2, 4, 7, 9 written-by Damon Blackman
tracks 1 to 11, 13, 15 to 17 written-by Earl Simmons
tracks 15, 17 written-by Kaseem Dean
tracks 3, 5 written-by Mickey Davis
tracks 12, 14 written-by Phil Hurtt
tracks 12, 14 written-by Thom Bell
Record Company Universal International
Marketed By Victor Entertainment, Inc.
Produced For Bloodline Productions, Inc.
Produced For Vacant Lot Productions, Inc.
Produced For Black Key Productions, Inc.
Produced For P. Killer Trackz
Produced For F.O.B. Entertainment
Produced For N.Q.C. Management
Produced For Swizz Beatz Part II
Phonographic Copyright (p) Island Def Jam Music Group
Copyright (c) Island Def Jam Music Group
Published By Scarab Publishing Corp.
Published By Ensign Music Corp.
Published By Warner-Tamerlane Publishing Corp.
Recorded At The Hit Factory Criteria
Recorded At Chaton Studios
Mixed At The Hit Factory Criteria
Mixed At Quad Recording Studios
Mixed At Sound On Sound, New York
Mixed At Right Track Recording
Mixed At Soundtrack Studios
Edited At Soundtrack Studios
Edited At Masterdisk
Mastered At Masterdisk
Track 1:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.

Track 2:
Produced for Vacant Lot Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at Quad Studios, NYC and The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.

Track 3:
Produced for Black Key Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.

Track 4:
Produced for Vacant Lot Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.

Track 5:
Produced for Black Key Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL

Track 6:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.
Addiional vocals for Bloodline

Track 7:
Produced for Vacant Lot Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.

Track 8:
Produced for P. Killer Trackz/Bloodline Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ and The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL

Track 9:
Produced for Bloodline Productions, Inc. and Vacant Lot Productions, Inc.
Co-produced for Black Key Productions, Inc.
Recorded at Chaton Studios, Phoenix, AZ
Mixed at Sound On Sound Studios, NYC
Mixed for Logusound Ltd.
Contains a sample of Whatcha Gonna Do (With My Lovin) Scarab Publishing Corp./Ensign Music Corporation (BMI)
Performed by Stephanie Mills courtesy of Universal Music Enterprises

Track 10:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for No Question Entertainment/Loreal, Inc.

Track 11:
Produced for P. Killer Trackz/Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at Right Track Studio, NYC
Mixed for No Question Entertainment/Loreal, Inc.

Track 12:
Contains samples from The Spinners recording of I'll Be Around (Whenever You Want Me) Warner-Tamerlane Publishing Corp. (BMI)

Track 13:
Produced for F.O.B. Entertainment/N.Q.C. Management
Recorded at Chaton Studios, Phoenix, AZ
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.

Track 14:
Contains samples from The Spinners recording of I'll Be Around (Whenever You Want Me) Warner-Tamerlane Publishing Corp. (BMI)

Track 15:
Produced for Swizz Beatz Part II
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for No Question Entertainment/Loreal, Inc.

Track 16:
Produced for Bloodline Productions, Inc.
Recorded at The Hit Factory Criteria, Miami, FL
Mixed at Sound Track Studios, NYC
Mixed for Team B Inc./Loreal, Inc.

Track 17:
Produced for Swizz Beatz Part II
Recorded at The Hit Factory Criteria, Miami, FL
Recorded for Team B Inc./Loreal, Inc.
Mixed at The Hit Factory Criteria, Miami, FL
Mixed for Team B Inc./Loreal, Inc.

Editing @ Soundtracks Studios & Masterdisk Corp.
Editing for Soundtracks Studios
Mastered @ Masterdisk Corp., NYC

A&R direction for Ruff Ryders, Bloodline Records and Def Jam Records
A&R administration for Bloodline Records and Def Jam
Marketing for Def Jam
Stylist for Mode Squad
Legal counsel for Woods & Middleton, LLP, B.A.R. Entertainment Management, Inc., Def Jam
Management for B.A.R. Entertainment Management, Inc.

Stephanie Mills appears courtesy of First Flight Inc.
Faith Evans appears courtesy of Bad Boy Records
Mashonda Tifrere appears courtesy of Full Surface Records
Mysonne appears courtesy of Wanna Blow Inc.
Mic Geronimo appears courtesy of Rebellious Music
Drag-On appears courtesy of Ruff Ryders/Interscope Records
Big Stan appears courtesy of Bloodline Records
Jinx appears courtesy of Bloodline Records
Loose appears courtesy of Bloodline Records
Kashmir appears courtesy of Bloodline Records

℗ © 2001 The Island Def Jam Music Group
Universal International, a Universal Music Company
Marketed by Victor Entertainment, Inc.
Made in Japan

Tracks 18 to 20 are secret track. Durations are not listed on the release.
Executive producers (Darrin Dean & Joaquin Dean) are credited as Darrin & Joaquin Dean on the inlay.
Co-executive producer (Latarche Nas Collins) is credited as Latarche Nas Collins on the back inlay.
Barcode: 4 988005 280893 (Text)
Barcode: 4988005280893 (Scanned)
Mastering SID Code: IFPI L235
Mould SID Code: IFPI 4011
Matrix / Runout: UICD-6027 5R V
Rights Society: JASRAC