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EMI Eminence - The Collection (50 CD Original Jacket Edition)
2013 50x CD, Box Set
Romantic
Modern
Classical
Baroque
Contemporary
Renaissance
Religious
Impressionist
Neo-Romantic
Post-Modern
Choral

Main image
EMI Classics, EMI Eminence
tracks 16-1 to 16-5 alto vocals Della Jones
tracks 17-1 to 17-20, 35-1 to 35-22 baritone vocals Simon Keenlyside
tracks 49-11 baritone vocals William Fullbrook
tracks 40-1 to 40-15 baritone vocals William Shimell
tracks 45-25 to 45-32, 50-5 bass vocals Andrew Angus
tracks 16-1 to 16-5 bass vocals Bryn Terfel
tracks 45-13 to 45-16, 49-5 bass vocals Malcolm Field
tracks 10-1 to 10-14 bass vocals Willard White
tracks 28-5 to 29-14 bass vocals [the priest], bass vocals [the angel of the agony] Michael George
tracks 9-1 to 9-7 basset horn Paul Allen
tracks 9-1 to 9-7 basset horn Stephen Trier
tracks 18-1 to 18-8 bassoon Felix Warnock
tracks 26-7 to 26-10 bassoon Graham Sheen
tracks 26-7 to 26-10 bassoon Ian Cuthill
tracks 9-1 to 9-7 bassoon John Price
tracks 46-12 bassoon Julie Andrews
tracks 9-1 to 9-7 bassoon Michael Boyle
tracks 30-1 to 30-3 cello Alexander Cameron
tracks 26-7 to 26-10 cello Olga Hegedus
tracks 18-1 to 18-8 cello Philip de Groote
tracks 12-1 to 13-17 cello Raphael Wallfisch
tracks 7-1 to 7-15 cello Richard Tunnicliffe
tracks 31-1 to 31-7 cello Sally Pendlebury
tracks 38-3 cello Timothy Walden
tracks 10-1 to 10-14, 19-1 to 19-12 choir London Philharmonic Choir
tracks 16-1 to 16-5, 28-1 to 29-14, 40-1 to 40-15 choir Royal Liverpool Philharmonic Choir
tracks 1-1 to 2-15 choir St. John's College Choir
tracks 28-5 to 29-14 chorus Huddersfield Choral Society
tracks 28-5 to 29-14 chorus master Brian Kay
tracks 16-1 to 16-5, 28-1 to 29-14, 40-1 to 40-15 chorus master Ian Tracey
tracks 10-1 to 10-14, 19-1 to 19-12 chorus master Richard Cooke
tracks 18-1 to 18-8 clarinet Andrew Marriner
tracks 26-7 to 26-10, 46-17 clarinet Julian Farrell
tracks 9-1 to 9-7 clarinet Peter Maunder
tracks 9-1 to 9-7 clarinet Robert Hill
tracks 26-7 to 26-10 clarinet Thea King
tracks 19-1 to 19-12 conductor Andrew Litton
tracks 10-1 to 10-14, 32-1 to 32-4 conductor Franz Welser-Möst
tracks 45-1 to 45-32, 49-1 to 50-17 conductor Jeremy Backhouse
tracks 36-1 to 36-5 conductor Karl Anton Rickenbacher
tracks 20-1 to 20-7 conductor Mark Elder
tracks 46-1 to 46-26 conductor Nicholas Cleobury
tracks 24-1 to 24-4 conductor Okko Kamu
tracks 23-1 to 23-8 conductor Serge Baudo
tracks 11-1 to 11-6, 15-1 to 16-5, 26-1 to 26-6, 27-1 to 27-8, 33-1 to 34-18, 43-1 to 44-8 conductor Sir Charles Mackerras
tracks 25-1 to 25-5 conductor Siân Edwards
tracks 21-1 to 22-10, 28-1 to 30-6, 37-1 to 41-8 conductor Vernon Handley
tracks 42-1 to 42-27 conductor Yuri Temirkanov
tracks 26-7 to 26-10 contrabassoon Nick Reader
tracks 9-1 to 9-7 contrabassoon Val Kennedy
tracks 27-2 cor anglais Angela Tennick
tracks 46-16 cor anglais Nicholas Daniel
tracks 45-25 to 45-32 countertenor vocals Nigel Franceschi
tracks 1-1 to 2-15 directed by George Guest
tracks 47-1 to 47-7 directed by, violin Richard Studt
tracks 26-7 to 26-10 double bass Adrian Beers
tracks 18-1 to 18-8 double bass Thomas Martin
tracks 17-1 to 17-20, 35-1 to 35-22 engineer Antony Howell
tracks 14-1 to 14-6 engineer Brendan Frost
tracks 5-1 to 6-16 engineer Henry Mitton
tracks 5-1 to 6-16 engineer Mark Nations
tracks 14-1 to 14-6 engineer Max Harding
tracks 1-1 to 1-17, 3-1 to 3-18, 7-1 to 9-7, 10-1 to 10-14, 15-1 to 16-5, 18-1 to 18-8, 19-2 to 20-7, 23-1 to 25-3, 25-5, 26-1 to 26-5, 26-7 to 26-10, 27-1 to 27-8, 30-1 to 30-6, 33-1 to 33-5, 36-1 to 37-7, 39-1 to 43-6, 45-1 to 46-26, 49-1 to 49-17 engineer Mike Clements
tracks 2-1 to 2-15, 4-1 to 4-16, 12-1 to 13-17, 21-1 to 22-10, 25-4, 26-6, 28-1 to 29-14, 31-1 to 31-7, 38-1 to 38-12, 44-1 to 44-8, 47-1 to 48-17 engineer Mike Hatch
tracks 45-1 to 45-32 engineer Sean Lewis
tracks 18-1 to 18-8 ensemble Chilingirian String Quartet
tracks 9-8 to 9-11. 26-7 to 26-10 ensemble English Chamber Orchestra Wind Ensemble
tracks 9-1 to 9-7 ensemble London Philharmonic Wind Ensemble
tracks 45-1 to 45-32, 49-1 to 50-17 ensemble Vasari Singers
tracks 31-1 to 31-7 ensemble Vellinger Quartet
tracks 38-12 flute Colin Chambers
tracks 46-17 flute Kate Hill
tracks 3-1 to 3-18, 9-11 flute William Bennett
tracks 45-1 to 45-12 harp Caryl Thomas
tracks 46-13 harp Hugh Webb
tracks 38-12 harp Mair Jones
tracks 4-1 to 4-16 harpsichord, directed by Anthony Halstead
tracks 3-1 to 3-18 harpsichord, directed by George Malcolm
tracks 7-1 to 7-15 harpsichord, fortepiano, piano Paul Nicholson
tracks 26-7 to 26-10 horn Anthony Halstead
tracks 26-7 to 26-10 horn Christian Rutherford
tracks 33-3 horn Claire Briggs
tracks 46-19 to 26-26 horn David Pyatt
tracks 9-1 to 9-7 horn Ian Keddie
tracks 18-1 to 18-8 horn Jonathan Williams
tracks 9-1 to 9-7 horn Nicholas Busch
tracks 9-1 to 9-7, 26-7 to 26-10 horn Patrick Garvey
tracks 46-14 horn Stephen Bell
tracks 9-1 to 9-7 horn Timothy Jones
tracks 8-1 to 8-9 horn, directed by Barry Tuckwell
tracks 46-1 to 46-26 leader Pauline Lowbury
tracks 10-1 to 10-14 mezzo-soprano vocals Della Jones
tracks 45-13 to 45-16 mezzo-soprano vocals Julia Field
tracks 19-5, 19-12 mezzo-soprano vocals Sarah Walker
tracks 29-1 to 29-14 mezzo-soprano vocals [the angel] Catherine Wyn-Rogers
tracks 9-1 to 9-7 oboe Angela Tennick
tracks 4-5 to 4-7 oboe Anthony Robson
tracks 9-1 to 9-7 oboe Gareth Hulse
tracks 26-7 to 26-10 oboe James Brown
tracks 38-5 to 38-7 oboe Jonathan Small
tracks 26-7 to 26-10 oboe Neil Black
tracks 14-1 to 14-6 orchestra Australian Chamber Orchestra
tracks 47-1 to 47-7 orchestra Bournemouth Sinfonietta
tracks 46-1 to 46-26 orchestra Britten Sinfonia
tracks 3-1 to 3-18, 8-1 to 8-9. 26-1 to 26-6 orchestra English Chamber Orchestra
tracks 4-1 to 4-16 orchestra Hanover Band
tracks 10-1 to 10-14, 20-1 to 20-7, 23-1 to 24-4, 25-4, 27-1 to 27-8, 30-1 to 30-6, 32-1 to 32-4, 34-2 to 34-18, 36-1 to 37-19, 44-1 to 44-4 orchestra London Philharmonic Orchestra
tracks 44-5 to 44-8 orchestra London Symphony Orchestra
tracks 11-1 to 11-6 orchestra Orchestra Of The Age Of Enlightenment
tracks 15-1 to 16-5, 19-2 to 19-12, 21-1 to 22-10, 25-1 to 25-3, 25-5, 28-1 to 29-14, 33-1 to 34-1, 38-1 to 41-8, 43-1 to 43-6 orchestra Royal Liverpool Philharmonic Orchestra
tracks 42-1 to 42-27 orchestra Royal Philharmonic Orchestra
tracks 37-14 organ David Bell
tracks 45-1 to 45-32, 49-1 to 49-2, 49-4, 49-7, 49-9 to 49-12 organ Ian Curror
tracks 25-5 organ Ian Tracey
tracks 23-1 to 23-4 organ Jane Parker-Smith
tracks 50-3 organ John Keys
tracks 5-1 to 5-16 organ Peter Hurford
tracks 12-1 to 13-17 piano John York
tracks 17-1 to 17-20, 35-1 to 35-22 piano Malcolm Martineau
tracks 47-1 to 47-7 piano Martin Roscoe
tracks 42-1 to 42-27 piano Philip Fowke
tracks 31-4 to 31-7, 39-1 to 39-7, 48-1 to 48-17 piano Piers Lane
tracks 47-1 to 47-7 piano [prepared piano] Robert Aldwinckle
tracks 14-1 to 14-6 piano, directed by Stephen Bishop-Kovacevich
tracks 5-1 to 6-16 producer Albert Markus
tracks 1-1 to 1-12, 2-1 to 3-18, 8-1 to 9-7, 10-1 to 13-17, 15-1 to 16-5, 19-1 to 21-6, 23-5 to 25-5, 26-6, 27-1 to 29-14, 30-4 to 31-7, 33-1 to 33-5, 34-2 to 34-18, 36-3 to 37-7, 38-1 to 44-8, 46-1 to 48-17 producer Andrew Keener
tracks 30-1 to 30-3 producer Barry McCann
tracks 14-1 to 14-6 producer David Harvey
tracks 22-1 to 22-10 producer John Fraser
tracks 1-13 to 1-17, 18-1 to 18-8, 34-1, 45-1 to 45-32, 49-1 to 49-17 producer John H. West
tracks 17-1 to 17-20, 35-1 to 35-22 producer Mark Brown
tracks 9-8 to 9-11, 26-1 to 26-5, 26-7 to 26-10, 37-8 to 37-19 producer Martin Compton
tracks 4-1 to 4-16, 7-1 to 7-15 producer Nicholas Parker
tracks 23-1 to 23-4 producer Roy Emerson
tracks 36-1 to 36-2 producer Steve C. Smith
tracks 4-11 to 4-13 recorder Anthony Robson
tracks 4-5 to 4-7, 4-11 to 4-13 recorder Catherine Latham
tracks 37-14 saxophone Stephen Trier
tracks 19-5, 19-12 soprano vocals Edith Wiens
tracks 25-4 soprano vocals Eilene Hannan
tracks 10-1 to 10-14, 32-4 soprano vocals Felicity Lott
tracks 49-11 soprano vocals Frances Wimpress
tracks 16-1 to 16-5, 40-1 to 40-15 soprano vocals Joan Rodgers
tracks 45-1 to 45-16 soprano vocals Margaret Crossland
tracks 45-1 to 45-12, 45-25 to 45-32 soprano vocals Sally Barber
tracks 25-5 supervised by [cannon effects] Steve Long
tracks 46-1 to 46-26 tenor vocals John Mark Ainsley
tracks 10-1 to 10-14 tenor vocals Keith Lewis
tracks 45-13 to 45-16 tenor vocals Mark Johnstone
tracks 16-1 to 16-5 tenor vocals Peter Bronder
tracks 45-25 to 45-32, 49-5 tenor vocals Peter Kerswell
tracks 28-5 to 29-14 tenor vocals [gerontius], tenor vocals [the soul of gerontius] Anthony Rolfe Johnson
tracks 46-15 timpani David Hockings
tracks 10-4 trombone Mike Hext
tracks 33-1 trumpet Ian Balmain
tracks 4-5 to 4-7 trumpet Mark Bennett
tracks 18-1 to 18-8 viola Csaba Erdélyi
tracks 31-1 to 31-7 viola James Boyd
tracks 38-3, 41-2 viola Roger Benedict
tracks 30-1 to 30-3 viola Ruşen Güneş
tracks 4-5 to 4-7, 4-11 to 4-13 violin Benjamin Hudson
tracks 37-1, 37-15 violin David Nolan
tracks 7-1 to 7-15 violin Elizabeth Wallfisch
tracks 31-1 to 31-7 violin Harvey De Souza
tracks 18-1 to 18-8 violin Levon Chilingirian
tracks 38-3 violin Malcolm Stewart
tracks 18-1 to 18-8 violin Mark Butler
tracks 11-1 to 11-6 violin Monica Huggett
tracks 24-1 to 24-4, 30-4 to 30-6 violin Nigel Kennedy
tracks 4-14 to 4-16 violin Pavlo Beznosiuk
tracks 30-1 to 30-3 violin Peter Manning
tracks 4-14 to 4-16 violin Rachel Brown
tracks 30-1 to 30-3 violin Russell Gilbert
tracks 26-6, 31-1 to 31-7 violin Stephanie Gonley
tracks 38-3 violin Susan Henderson
tracks 21-1 to 22-10, 47-1 to 48-17 violin Tasmin Little
Phonographic Copyright (p) EMI Records Ltd.
Copyright (c) EMI Records Ltd.
Recorded At St. John's College Chapel, Cambridge
Recorded At Rosslyn Hill Chapel, Hampstead
Recorded At Henry Wood Hall, London
Recorded At Martinikerk, Groningen
Recorded At Ludgerikirche, Norden
Recorded At St George's, Bristol
Recorded At St. Barnabas Church, London
Recorded At St. Augustine's Church, Kilburn
Recorded At Concert Hall, Sydney Opera House
Recorded At Liverpool Philharmonic Hall
Recorded At All Saints Church, East Finchley
Recorded At Liverpool Anglican Cathedral
Recorded At Walthamstow Assembly Hall
Recorded At Watford Town Hall
Recorded At City Halls, Glasgow
Recorded At Paisley Abbey
Recorded At Free Trade Hall
Recorded At St Giles' Cripplegate
Recorded At Milton Abbey School
Includes 16-page booklet with liner notes in English.
Barcode: 5099973938729
ASIN: B00APPSH9G



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