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EMI Eminence - The Collection (50 CD Original Jacket Edition)
2013 50x CD, Box Set
Romantic
Modern
Classical
Baroque
Contemporary
Renaissance
Religious
Impressionist
Neo-Romantic
Post-Modern
Choral
EMI Classics, EMI Eminence
tracks 16-1 to 16-5 alto vocals
Della Jones
tracks 17-1 to 17-20, 35-1 to 35-22 baritone vocals
Simon Keenlyside
tracks 49-11 baritone vocals
William Fullbrook
tracks 40-1 to 40-15 baritone vocals
William Shimell
tracks 45-25 to 45-32, 50-5 bass vocals
Andrew Angus
tracks 16-1 to 16-5 bass vocals
Bryn Terfel
tracks 45-13 to 45-16, 49-5 bass vocals
Malcolm Field
tracks 10-1 to 10-14 bass vocals
Willard White
tracks 28-5 to 29-14 bass vocals [the priest], bass vocals [the angel of the agony]
Michael George
tracks 9-1 to 9-7 basset horn
Paul Allen
tracks 9-1 to 9-7 basset horn
Stephen Trier
tracks 18-1 to 18-8 bassoon
Felix Warnock
tracks 26-7 to 26-10 bassoon
Graham Sheen
tracks 26-7 to 26-10 bassoon
Ian Cuthill
tracks 9-1 to 9-7 bassoon
John Price
tracks 46-12 bassoon
Julie Andrews
tracks 9-1 to 9-7 bassoon
Michael Boyle
tracks 30-1 to 30-3 cello
Alexander Cameron
tracks 26-7 to 26-10 cello
Olga Hegedus
tracks 18-1 to 18-8 cello
Philip de Groote
tracks 12-1 to 13-17 cello
Raphael Wallfisch
tracks 7-1 to 7-15 cello
Richard Tunnicliffe
tracks 31-1 to 31-7 cello
Sally Pendlebury
tracks 38-3 cello
Timothy Walden
tracks 10-1 to 10-14, 19-1 to 19-12 choir
London Philharmonic Choir
tracks 16-1 to 16-5, 28-1 to 29-14, 40-1 to 40-15 choir
Royal Liverpool Philharmonic Choir
tracks 1-1 to 2-15 choir
St. John's College Choir
tracks 28-5 to 29-14 chorus
Huddersfield Choral Society
tracks 28-5 to 29-14 chorus master
Brian Kay
tracks 16-1 to 16-5, 28-1 to 29-14, 40-1 to 40-15 chorus master
Ian Tracey
tracks 10-1 to 10-14, 19-1 to 19-12 chorus master
Richard Cooke
tracks 18-1 to 18-8 clarinet
Andrew Marriner
tracks 26-7 to 26-10, 46-17 clarinet
Julian Farrell
tracks 9-1 to 9-7 clarinet
Peter Maunder
tracks 9-1 to 9-7 clarinet
Robert Hill
tracks 26-7 to 26-10 clarinet
Thea King
tracks 19-1 to 19-12 conductor
Andrew Litton
tracks 10-1 to 10-14, 32-1 to 32-4 conductor
Franz Welser-Möst
tracks 45-1 to 45-32, 49-1 to 50-17 conductor
Jeremy Backhouse
tracks 36-1 to 36-5 conductor
Karl Anton Rickenbacher
tracks 20-1 to 20-7 conductor
Mark Elder
tracks 46-1 to 46-26 conductor
Nicholas Cleobury
tracks 24-1 to 24-4 conductor
Okko Kamu
tracks 23-1 to 23-8 conductor
Serge Baudo
tracks 11-1 to 11-6, 15-1 to 16-5, 26-1 to 26-6, 27-1 to 27-8, 33-1 to 34-18, 43-1 to 44-8 conductor
Sir Charles Mackerras
tracks 25-1 to 25-5 conductor
Siân Edwards
tracks 21-1 to 22-10, 28-1 to 30-6, 37-1 to 41-8 conductor
Vernon Handley
tracks 42-1 to 42-27 conductor
Yuri Temirkanov
tracks 26-7 to 26-10 contrabassoon
Nick Reader
tracks 9-1 to 9-7 contrabassoon
Val Kennedy
tracks 27-2 cor anglais
Angela Tennick
tracks 46-16 cor anglais
Nicholas Daniel
tracks 45-25 to 45-32 countertenor vocals
Nigel Franceschi
tracks 1-1 to 2-15 directed by
George Guest
tracks 47-1 to 47-7 directed by, violin
Richard Studt
tracks 26-7 to 26-10 double bass
Adrian Beers
tracks 18-1 to 18-8 double bass
Thomas Martin
tracks 17-1 to 17-20, 35-1 to 35-22 engineer
Antony Howell
tracks 14-1 to 14-6 engineer
Brendan Frost
tracks 5-1 to 6-16 engineer
Henry Mitton
tracks 5-1 to 6-16 engineer
Mark Nations
tracks 14-1 to 14-6 engineer
Max Harding
tracks 1-1 to 1-17, 3-1 to 3-18, 7-1 to 9-7, 10-1 to 10-14, 15-1 to 16-5, 18-1 to 18-8, 19-2 to 20-7, 23-1 to 25-3, 25-5, 26-1 to 26-5, 26-7 to 26-10, 27-1 to 27-8, 30-1 to 30-6, 33-1 to 33-5, 36-1 to 37-7, 39-1 to 43-6, 45-1 to 46-26, 49-1 to 49-17 engineer
Mike Clements
tracks 2-1 to 2-15, 4-1 to 4-16, 12-1 to 13-17, 21-1 to 22-10, 25-4, 26-6, 28-1 to 29-14, 31-1 to 31-7, 38-1 to 38-12, 44-1 to 44-8, 47-1 to 48-17 engineer
Mike Hatch
tracks 45-1 to 45-32 engineer
Sean Lewis
tracks 18-1 to 18-8 ensemble
Chilingirian String Quartet
tracks 9-8 to 9-11. 26-7 to 26-10 ensemble
English Chamber Orchestra Wind Ensemble
tracks 9-1 to 9-7 ensemble
London Philharmonic Wind Ensemble
tracks 45-1 to 45-32, 49-1 to 50-17 ensemble
Vasari Singers
tracks 31-1 to 31-7 ensemble
Vellinger Quartet
tracks 38-12 flute
Colin Chambers
tracks 46-17 flute
Kate Hill
tracks 3-1 to 3-18, 9-11 flute
William Bennett
tracks 45-1 to 45-12 harp
Caryl Thomas
tracks 46-13 harp
Hugh Webb
tracks 38-12 harp
Mair Jones
tracks 4-1 to 4-16 harpsichord, directed by
Anthony Halstead
tracks 3-1 to 3-18 harpsichord, directed by
George Malcolm
tracks 7-1 to 7-15 harpsichord, fortepiano, piano
Paul Nicholson
tracks 26-7 to 26-10 horn
Anthony Halstead
tracks 26-7 to 26-10 horn
Christian Rutherford
tracks 33-3 horn
Claire Briggs
tracks 46-19 to 26-26 horn
David Pyatt
tracks 9-1 to 9-7 horn
Ian Keddie
tracks 18-1 to 18-8 horn
Jonathan Williams
tracks 9-1 to 9-7 horn
Nicholas Busch
tracks 9-1 to 9-7, 26-7 to 26-10 horn
Patrick Garvey
tracks 46-14 horn
Stephen Bell
tracks 9-1 to 9-7 horn
Timothy Jones
tracks 8-1 to 8-9 horn, directed by
Barry Tuckwell
tracks 46-1 to 46-26 leader
Pauline Lowbury
tracks 10-1 to 10-14 mezzo-soprano vocals
Della Jones
tracks 45-13 to 45-16 mezzo-soprano vocals
Julia Field
tracks 19-5, 19-12 mezzo-soprano vocals
Sarah Walker
tracks 29-1 to 29-14 mezzo-soprano vocals [the angel]
Catherine Wyn-Rogers
tracks 9-1 to 9-7 oboe
Angela Tennick
tracks 4-5 to 4-7 oboe
Anthony Robson
tracks 9-1 to 9-7 oboe
Gareth Hulse
tracks 26-7 to 26-10 oboe
James Brown
tracks 38-5 to 38-7 oboe
Jonathan Small
tracks 26-7 to 26-10 oboe
Neil Black
tracks 14-1 to 14-6 orchestra
Australian Chamber Orchestra
tracks 47-1 to 47-7 orchestra
Bournemouth Sinfonietta
tracks 46-1 to 46-26 orchestra
Britten Sinfonia
tracks 3-1 to 3-18, 8-1 to 8-9. 26-1 to 26-6 orchestra
English Chamber Orchestra
tracks 4-1 to 4-16 orchestra
Hanover Band
tracks 10-1 to 10-14, 20-1 to 20-7, 23-1 to 24-4, 25-4, 27-1 to 27-8, 30-1 to 30-6, 32-1 to 32-4, 34-2 to 34-18, 36-1 to 37-19, 44-1 to 44-4 orchestra
London Philharmonic Orchestra
tracks 44-5 to 44-8 orchestra
London Symphony Orchestra
tracks 11-1 to 11-6 orchestra
Orchestra Of The Age Of Enlightenment
tracks 15-1 to 16-5, 19-2 to 19-12, 21-1 to 22-10, 25-1 to 25-3, 25-5, 28-1 to 29-14, 33-1 to 34-1, 38-1 to 41-8, 43-1 to 43-6 orchestra
Royal Liverpool Philharmonic Orchestra
tracks 42-1 to 42-27 orchestra
Royal Philharmonic Orchestra
tracks 37-14 organ
David Bell
tracks 45-1 to 45-32, 49-1 to 49-2, 49-4, 49-7, 49-9 to 49-12 organ
Ian Curror
tracks 25-5 organ
Ian Tracey
tracks 23-1 to 23-4 organ
Jane Parker-Smith
tracks 50-3 organ
John Keys
tracks 5-1 to 5-16 organ
Peter Hurford
tracks 12-1 to 13-17 piano
John York
tracks 17-1 to 17-20, 35-1 to 35-22 piano
Malcolm Martineau
tracks 47-1 to 47-7 piano
Martin Roscoe
tracks 42-1 to 42-27 piano
Philip Fowke
tracks 31-4 to 31-7, 39-1 to 39-7, 48-1 to 48-17 piano
Piers Lane
tracks 47-1 to 47-7 piano [prepared piano]
Robert Aldwinckle
tracks 14-1 to 14-6 piano, directed by
Stephen Bishop-Kovacevich
tracks 5-1 to 6-16 producer
Albert Markus
tracks 1-1 to 1-12, 2-1 to 3-18, 8-1 to 9-7, 10-1 to 13-17, 15-1 to 16-5, 19-1 to 21-6, 23-5 to 25-5, 26-6, 27-1 to 29-14, 30-4 to 31-7, 33-1 to 33-5, 34-2 to 34-18, 36-3 to 37-7, 38-1 to 44-8, 46-1 to 48-17 producer
Andrew Keener
tracks 30-1 to 30-3 producer
Barry McCann
tracks 14-1 to 14-6 producer
David Harvey
tracks 22-1 to 22-10 producer
John Fraser
tracks 1-13 to 1-17, 18-1 to 18-8, 34-1, 45-1 to 45-32, 49-1 to 49-17 producer
John H. West
tracks 17-1 to 17-20, 35-1 to 35-22 producer
Mark Brown
tracks 9-8 to 9-11, 26-1 to 26-5, 26-7 to 26-10, 37-8 to 37-19 producer
Martin Compton
tracks 4-1 to 4-16, 7-1 to 7-15 producer
Nicholas Parker
tracks 23-1 to 23-4 producer
Roy Emerson
tracks 36-1 to 36-2 producer
Steve C. Smith
tracks 4-11 to 4-13 recorder
Anthony Robson
tracks 4-5 to 4-7, 4-11 to 4-13 recorder
Catherine Latham
tracks 37-14 saxophone
Stephen Trier
tracks 19-5, 19-12 soprano vocals
Edith Wiens
tracks 25-4 soprano vocals
Eilene Hannan
tracks 10-1 to 10-14, 32-4 soprano vocals
Felicity Lott
tracks 49-11 soprano vocals
Frances Wimpress
tracks 16-1 to 16-5, 40-1 to 40-15 soprano vocals
Joan Rodgers
tracks 45-1 to 45-16 soprano vocals
Margaret Crossland
tracks 45-1 to 45-12, 45-25 to 45-32 soprano vocals
Sally Barber
tracks 25-5 supervised by [cannon effects]
Steve Long
tracks 46-1 to 46-26 tenor vocals
John Mark Ainsley
tracks 10-1 to 10-14 tenor vocals
Keith Lewis
tracks 45-13 to 45-16 tenor vocals
Mark Johnstone
tracks 16-1 to 16-5 tenor vocals
Peter Bronder
tracks 45-25 to 45-32, 49-5 tenor vocals
Peter Kerswell
tracks 28-5 to 29-14 tenor vocals [gerontius], tenor vocals [the soul of gerontius]
Anthony Rolfe Johnson
tracks 46-15 timpani
David Hockings
tracks 10-4 trombone
Mike Hext
tracks 33-1 trumpet
Ian Balmain
tracks 4-5 to 4-7 trumpet
Mark Bennett
tracks 18-1 to 18-8 viola
Csaba Erdélyi
tracks 31-1 to 31-7 viola
James Boyd
tracks 38-3, 41-2 viola
Roger Benedict
tracks 30-1 to 30-3 viola
Ruşen Güneş
tracks 4-5 to 4-7, 4-11 to 4-13 violin
Benjamin Hudson
tracks 37-1, 37-15 violin
David Nolan
tracks 7-1 to 7-15 violin
Elizabeth Wallfisch
tracks 31-1 to 31-7 violin
Harvey De Souza
tracks 18-1 to 18-8 violin
Levon Chilingirian
tracks 38-3 violin
Malcolm Stewart
tracks 18-1 to 18-8 violin
Mark Butler
tracks 11-1 to 11-6 violin
Monica Huggett
tracks 24-1 to 24-4, 30-4 to 30-6 violin
Nigel Kennedy
tracks 4-14 to 4-16 violin
Pavlo Beznosiuk
tracks 30-1 to 30-3 violin
Peter Manning
tracks 4-14 to 4-16 violin
Rachel Brown
tracks 30-1 to 30-3 violin
Russell Gilbert
tracks 26-6, 31-1 to 31-7 violin
Stephanie Gonley
tracks 38-3 violin
Susan Henderson
tracks 21-1 to 22-10, 47-1 to 48-17 violin
Tasmin Little
Phonographic Copyright (p) EMI Records Ltd.
Copyright (c) EMI Records Ltd.
Recorded At St. John's College Chapel, Cambridge
Recorded At Rosslyn Hill Chapel, Hampstead
Recorded At Henry Wood Hall, London
Recorded At Martinikerk, Groningen
Recorded At Ludgerikirche, Norden
Recorded At St George's, Bristol
Recorded At St. Barnabas Church, London
Recorded At St. Augustine's Church, Kilburn
Recorded At Concert Hall, Sydney Opera House
Recorded At Liverpool Philharmonic Hall
Recorded At All Saints Church, East Finchley
Recorded At Liverpool Anglican Cathedral
Recorded At Walthamstow Assembly Hall
Recorded At Watford Town Hall
Recorded At City Halls, Glasgow
Recorded At Paisley Abbey
Recorded At Free Trade Hall
Recorded At St Giles' Cripplegate
Recorded At Milton Abbey School
Includes 16-page booklet with liner notes in English.
Barcode: 5099973938729
ASIN: B00APPSH9G
GALLERY