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Natalie Cole Good To Be Back
1989 Vinyl Allied Pressing
Synth-pop
Contemporary R&B

Main image
EMI USA
art direction Henry Marquez
tracks a4, b3 coordinator [production] Steve James
design Lu Ann Graffeo
tracks b6 engineer Craig Burbidge
tracks b4 engineer Jimmy Hoyson
tracks b4 engineer John Beverly Jones
tracks b4 engineer John Carter
tracks b4 engineer Rick McCormick
tracks a4 engineer Russ Terrana
tracks b3 engineer [assistant] Bill Dooley
tracks b4 engineer [assistant] Chris Fuhrman
tracks a3, b1 engineer [assistant] Claudio Ordenes
tracks b4 engineer [assistant] Craig Johnson
tracks a5 engineer [assistant] Dana Jon Chappelle
tracks b2 engineer [assistant] James McCann
tracks a3, b1 engineer [assistant] Jeff Poe
tracks b4 engineer [assistant] Jimmy Hoyson
tracks b3 engineer [assistant] Joe Schiff
tracks b3 engineer [assistant] Mark Hagen
tracks b2 engineer [assistant] Marnie Riley
tracks b3 engineer [assistant] Paul Wertheimer
tracks b2 engineer [assistant] Ric Butz
tracks a3, b1 engineer [assistant] Richard McKernan
tracks a4, b3 engineer [assistant] Steve James
tracks a3, b1 engineer [assistant] Toby Wright
executive-producer Dan Cleary
executive-producer Natalie Cole
management Dan Cleary Management Associates
mastered by [assembled and mastered by] Bernie Grundman
tracks a2, b4, b6 mixed by Andre Fischer
tracks b5 mixed by Bob Cadway
tracks a1, a3, b1 mixed by Brian Malouf
tracks a4, b3 mixed by Cal Harris
tracks a5 mixed by David Frazer
tracks b6 mixed by Eddie Cole
tracks a2, b2, b4, b6 mixed by Mick Guzauski
photography by Matthew Rolston
tracks b5 recorded by Bob Cadway
tracks a4, b3 recorded by Cal Harris
tracks a5 recorded by David Frazer
tracks a1, a3, b1 recorded by Doug Rider
tracks b2 recorded by Mick Guzauski
tracks b2 recorded by Richard McKernan
tracks a1, b1 recorded by [additional] Brian Malouf
tracks a1, a3, b1 recorded by [additional] David Bianco
tracks a1, a3, b1 recorded by [additional] Gabe Veltri
Phonographic Copyright (p) EMI USA
Copyright (c) EMI USA
Produced For Tuneworks Records, Inc.
Produced For Signature Entertainment
Produced For Perfection Light Productions
Produced For Wake Productions
Recorded At Ocean Way Recording
Recorded At Motown/Hitsville U.S.A. Recording Studios
Recorded At Westlake Audio
Recorded At Conway Studios
Recorded At Steve Lindsey Studio
Recorded At Tarpan Studios
Recorded At Record Plant, Los Angeles
Recorded At Cove City Sound Studios
Recorded At Larrabee Sound Studios
Recorded At Shakedown Sound Studios
Recorded At O'Henry Sound Studios
Recorded At Can-Am Recorders
Recorded At Devonshire Studios
Recorded At Aire L.A. Studios
Recorded At Ground Control Studios
Recorded At A.E.M.P., Los Angeles, CA
Recorded At Jones Studios, Los Angeles, CA
Mastered At Bernie Grundman Mastering
Mastered At Specialty Records Corporation
Mastered At Sheffield Lab Matrix
Pressed By Allied Record Company
Pressed By Allied Record Company
Manufactured By Capitol Records, Inc.
Record Company Capitol-EMI Music, Inc.
[l211933] pressing denoted by debossed A on Side B label and B-xxxxx numbers etched in runout.
Issued with lyric / credit inner sleeve.

Freddie Jackson appears courtesy of Capitol Records, Inc.
Jeff Porcaro appears courtesy of Columbia Records

©℗ 1989 EMI-USA, a division of Capitol Records, Inc. Manufactured by Capitol Records, Inc., a subsidiary of Capitol-EMI Music, Inc., Hollywood and Vine Streets, Hollywood, California. Printed in the USA.
Matrix / Runout: SRC E1-1-48902-Z2 1-2 B-35025-Z2 △24748 o- (Runout A etched / SRC stamped)
Matrix / Runout: o- △24748-X B-35026-Z1 SRC E1-2-48902-Z1 1-2 (Runout B etched / SRC stamped)
Other: A (Debossed near center hole, Side B)
Barcode: 0 7777-48902-1 2 (Printed)



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