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composed by [original music], music director Rod Anderson
cover [cover design] Lois Peltz
engineer [chief engineer] Derek Hanlon
executive-producer Aaron Gershfield
performer [dramatised by] Alan Alkins
performer [dramatised by] Carmen Lynn
performer [dramatised by] Daniel Webb
performer [dramatised by] David Plaut
performer [dramatised by] Ellen Jenkins
performer [dramatised by] Ivor Benjamin
performer [dramatised by] Jonathan Gershfield
performer [dramatised by] Lyndsay Walker
performer [dramatised by] Nicholas Fry
performer [dramatised by] Niven Boyd
performer [dramatised by] Ros Partridge
performer [dramatised by] Rosemarie Bennett
performer [dramatised by] Rowena Goldman
producer [series production] Earl Mardle
written-by William Blake
Phonographic Copyright (p) Literature Alive
An Anemone production

Most poems are preceded by an announcement of their titles.

A1 is a musical introduction, A3 and A22 are spoken word commentaries, and none is listed on the release itself.
The titles of A20 and A21 are given as 'The Little Boy Lost' and 'The Little Boy Found' respectively on the cassette inlay, but are named as 'A Little Boy Lost' and 'A Little Boy Found' in the recorded audio.
Tracks B3 and B4 are listed on the cassette inlay in the opposite order to which they appear in the recording.