tracks a3 cello Dan Reiter composed by [all compositions by] William Ackerman tracks a3 composed by [cello part] Dan Reiter tracks a4 composed by [english horn part] Robert Hubbard tracks b2 composed by [piano part] George Winston tracks a1 composed by [violin part] Darol Anger engineer [engineered by] Harn Soper tracks a4 english horn Robert Hubbard graphic design Anne Ackerman lacquer cut by Jack Hunt liner notes William Ackerman mastered by [disc mastering] Stan Ricker photography by [cover photo] Jerry Marcaccini photography by [inside photography] Ron May photography by [liner photo] Anne Ackerman tracks b2 piano George Winston plated by [matrix by] Richard Doss producer [produced by] William Ackerman technician [digital recording systems consultant] Roger Pryor tracks a1 violin Darol Anger Copyright (c) Windham Hill Records Phonographic Copyright (p) Windham Hill Records Manufactured By Windham Hill Records Published By Windham Hill Music Engineered At The Music Annex Mastered At Mobile Fidelity Sound Lab Mastered At Sheffield Lab Matrix Pressed By Record Technology Incorporated Mastered At Record Technology Incorporated Mastered At Record Technology Incorporated Packaged in a gatefold cover.
Engineered at The Music Annex, Menlo Park, CA Disc Mastering at Mobile Fidelity Sound Labs, Chatsworth, CA Matrix by Dick Doss, Sheffield Lab Matrix, Santa Monica, CA Pressings by Record Technology Inc, Camarillo, CA Vinyl Compound: Quiex, Vietc Inc.
This album was recorded on the Sony PCM 1600 Digital Recording System. The guitar was miked in stereo with two AKG 452 EB microphones. A Neve 8036 console was used in conjunction with an EMT 240 stereo reverberation system. The control room monitors used were UREI 813 Time Align Monitors powered by a BGW amplifier and equalized through two White 1/3 Octave equalizers.