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artwork, design Laura Piglione
executive-producer Georg Gräwe
liner notes [english] Martin Mayes
mastered by [digital mastering by] Claudio Giussani
photography by [photographs by] Jacques Lecoultre
photography by [photographs by] Pino Ninfa
photography by [photographs by] Ulrike Gaertner
producer [produced by] Martin Mayes
text by [quote in booklet] T. S. Eliot
Recorded At Forte Di Bard, Val D'Aosta
Recorded At Colosseo Theatre, Roma
Recorded At Controindicazioni
Recorded At Teatro Juvarra, Torino
Edited At Dynamo Sound Studio
Edited At Appaloosa Studio, Torino
Mixed At Dynamo Sound Studio
Mixed At Appaloosa Studio, Torino
Mastered At Nautilus Studio, Milano
Requiem per Guelfo part 1
for solo hand horn and resonating rooms

Requiem per Guelfo part 2
for solo modern Bb/F horn and resonating rooms

... sands with printless foot ...
for solo Dopp-le Horn and modern Bb/F horn

I think it was a coincidence
for speaking voice and prerecorded voices and horns

piccoli paesaggi
for solo horn with prerecorded horns and water

suite from Cantata #4
for four horns

[1] & [2] recorded 28 September 95 at Forte di Bard, Val d'Aosta, Italy; stereo mix of original 4 track recording at Dynamo Studio, Torino.
[3] performed/recorded 8 October 1993 at Teatro Colosseo, Roma, Italy during the 1993 Controindicazioni Festival; mixed at Dynamo Studio, Torino.
[4] original sound recordings of P. Morrison made in Scotland sometime in the mid 1970s by an unknown performance artist from London; other tapes ~ recorded February - April 1997; tapes restored, edited & mixed at Dynamo Studio, Torino.
[5] source tapes recorded October 1989 & March 1997; tapes restored, edited & mixed at Appaloosa Studio, Torino.
[6] recorded 1 & 2 July 1996 at the Teatro Juvarra, Torino, Italy; edited & mixed at Dynamo Studio, Torino.
Barcode: 7 86497 26132 1
Label Code: LC 4945
SPARS Code: DDD (1 to 3, 6)
SPARS Code: ADD (4, 5)