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compiled by Raymond McGill
composed by Joseph Haydn
design, photography by [all box and wallet images] Dan Tobin Smith
design, photography by [all box and wallet images] Rachel Thomas
editor [editorial direction], art direction WLP Ltd.
editor, art direction WLP Ltd.
tracks 24-1 to 24-8, 25-1 to 25-8 engineer [assistant engineer] Francesco Livoti
tracks 26-1 to 26-12, 27-1 to 27-12, 28-1 to 28-12, 29-1 to 29-11, 30-1 to 30-12, 31-1 to 31-12, 32-1 to 32-12, 33-1 to 33-12 engineer [balance engineer] Dick van Schuppen
tracks 28-5 to 28-8 engineer [balance engineer] Eva Blankespoor
tracks 26-1 to 26-12, 27-1 to 27-12, 28-1 to 28-4, 28-9 to 28-12 engineer [balance engineer] Henk Jansen
tracks 12-1 to 12-8, 14-9 to 14-12, 15-1 to 15-4, 15-9 to 15-12 engineer [balance engineer] Jean-Marie Geijsen
tracks 12-9 to 12-16, 13-19 to 13-11, 14-9 to 14-12, 15-1 to 15-4, 15-13 to 15-17 engineer [balance engineer] Ko Witteveen
tracks 34-1 to 34-4 engineer [recording engineer] Adam Skeaping
tracks 18-11 to 18-14 engineer [recording engineer] Andrew Groves
tracks 11-5 to 11-8, 11-9 to 11-12, 13-12 to 13-15 engineer [recording engineer] Cees Heijkoop
tracks 29-1 to 29-11, 30-1 to 30-12, 31-1 to 31-12, 32-1 to 32-12, 33-1 to 33-12 engineer [recording engineer] Dick van Schuppen
tracks 33-5 to 33-12 engineer [recording engineer] Eva Blankespoor
tracks 11-1 to 11-8, 11-19 to 11-16, 13-5 to 13-8, 13-12 to 13-15, 14-5 to 14-8 engineer [recording engineer] Evert Menting
tracks 29-1 to 29-12, 31-1 to 31-8, 32-1 to 31-8, 33-1 to 33-4 engineer [recording engineer] Henk Jansen
tracks 18-1 to 18-14, 35-1 to 35-12 engineer [recording engineer] John Dunkerley
tracks 1-1 to 1-6, 1-11 to 1-17, 2-1 to 2-12, 3-1 to 3-13, 4-1 to 4-7, 5-1 to 5-3, 5-7 to 5-9, 6-4 to 6-10, 7-5 to 7-12, 9-8 to 9-11 engineer [recording engineer] Jonathan Stokes
tracks 1-1 to 1-6, 1-11 to 1-17, 3-4 to 3-13, 5-7 to 5-9, 6-4 to 6-10, 7-5 to 7-8 engineer [recording engineer] Krzysztof Jarosz
tracks 16-1 to 16-6, 19-5 to 19-12, 20-5 to 20-8, 21-6 to 21-13, 23-5 to 23-12 engineer [recording engineer] Neil Hutchinson
tracks 13-1 to 13-4, 14-1 to 14-4, 15-5 to 15-8 engineer [recording engineer] Nico de Koning
tracks 1-14 to 1-17, 3-7 to 3-10, 6-7 to 6-10, 22-9 to 22-12, 23-1 to 23-4 engineer [recording engineer] Philip Siney
tracks 24-1 to 24-8, 25-1 to 25-8 engineer [recording engineer] Roberto Chinellato
tracks 33-5 to 33-12 engineer [recording engineer] Sieuwert Verster
tracks 8-1 to 8-16, 9-1 to 9-7, 10-1 to 10-12, 16-1 to 16-10, 20-1 to 20-4, 20-9 to 20-12, 22-1 to 22-8, 35-1 to 35-12 engineer [recording engineer] Simon Eadon
tracks 12-9 to 12-15, 13-9 to 13-11 engineer [recording engineer] Stephan Reh
tracks 11-5 to 11-8, 11-9 to 11-12, 13-12 to 13-15 engineer [recording engineer] Thijs Hoekstra
tracks 34-5 to 34-12 engineer [recording engineer] Tony Faulkner
tracks 24-1 to 24-8, 25-1 to 25-8 executive-producer Dominic Fyfe
executive-producer [direction] Paul Moseley
liner notes David A. Threasher
liner notes [traduction] Dennis Collins
liner notes [Übersetzung] Leandra Rhoese
photography by [christopher hogwood conducting aam at palace of eszterházy] Gerald Schömitz
photography by [christopher hogwood] Julian Broad
photography by [frans brüggen, p. 32] Vico Chamla
photography by [frans brüggen, p. 47] Friso Keuris
photography by [ottavio dantone] Giulia Papetti
tracks 34-1 to 34-4 producer Adam Skeaping
tracks 16-1 to 16-6, 18-1 to 18-10, 19-1 to 19-12, 20-1 to 20-12, 21-1 to 21-5, 22-1 to 22-8, 23-5 to 23-12 producer Chris Sayers
tracks 16-7 to 16-10, 18-11 to 18-14, 20-9 to 20-12, 21-6 to 21-13, 22-1 to 22-12, 23-1 to 23-4 producer Christopher Pope
tracks 34-5 to 34-12 producer Martin Compton
tracks 3-4 to 3-6, 3-11 to 3-13, 5-7 to 5-9, 6-4 to 6-6, 7-5 to 7-8, 35-1 to 35-12 producer Morten Winding
tracks 1-1 to 1-6, 1-11 to 1-17, 2-1 to 2-12, 3-1 to 3-10, 4-1 to 4-7, 5-1 to 5-3, 6-7 to 6-10, 7-9 to 7-12, 8-1 to 8-16, 9-1 to 9-11, 10-1 to 10-12, 35-1 to 35-12 producer Peter Wadland
tracks 12-1 to 12-8, 15-9 to 15-12 producer [recording producer] Anna Barry
tracks 24-1 to 24-8, 25-1 to 25-8 producer [recording producer] Fabio Framba
tracks 28-5 to 48-8 producer [recording producer] Gerd Berg
tracks 12-9 to 12-16, 13-19 to 13-11, 14-9 to 14-12, 15-1 to 15-4, 15-13 to 15-17 producer [recording producer] Martha De Francisco
tracks 26-1 to 26-12, 27-1 to 27-12, 28-1 to 28-4, 28-9 to 28-12, 29-1 to 29-11, 30-1 to 30-12, 31-1 to 31-12, 32-1 to 32-12, 33-1 to 33-12 producer [recording producer] Sieuwert Verster
tracks 11-1 to 11-16, 13-1 to 13-8, 13-12 to 13-15, 14-1 to 14-8, 15-5 to 15-8 producer [recording producer] Ursula Singer
production manager [production management] Edward Weston
Phonographic Copyright (p) Decca Music Group Limited
Phonographic Copyright (p) Universal Music B.V.
Copyright (c) Decca Music Group Limited
Copyright (c) Prof. H. C. Robbins Landon
Copyright (c) Vico Chamla
Copyright (c) Giulia Papetti
Copyright (c) Dan Tobin Smith
Copyright (c) Rachel Thomas
Copyright (c) Accademia Bizantina
Made By EDC, Germany
Recorded At Abbey Road Studios
Recorded At Walthamstow Assembly Hall
Recorded At Blackheath Halls
Recorded At Henry Wood Hall, London
Recorded At Teatro Goldoni, Bagnacavallo
Recorded At Cité de la Musique
Recorded At Muziekcentrum Enschede
Recorded At Muziekcentrum Vredenburg, Utrecht
Recorded At De Vereeniging
Recorded At Concertgebouw, Amsterdam
Recorded At Rosslyn Hill Chapel, Hampstead
Recorded At St. Mary's Parish Church, Woodford/London
Recorded At Kingsway Hall
Designed At WLP Ltd.
This compilation ℗ 2016 Decca Music Group Limited
Introductory © 2016 Decca Music Group Limited

Editions © H.C. Robbins Landon

Recording Locations, Hogwood AAM
Walthamstow Assembly Hall, London, November 1988, April 1989 (Nos.21, 22, 23, 34, 28, 29, 30, 31, 34), 9-12 April 1990 (Nos.12, 13), 24-26 October 1990 (Nos.6, 7, 8), 5-7 March 1991 (Nos.9, 16 40, 72), 17 & 18 March 1993 (Nos.55, 56), 15-17 June 1993 (No.54 First version), 17-22 July 1993 (Nos.57, 60), 20-24 August 1993 (No.64), 11-14 September 1993 (Nos.70, 71, 74), 1-3 March 1994 (Nos.66, 67), 13-16 June 1994 (Nos.53, 61), 6-9 September 1994 (Nos.68, 69), 1 & 2 November 1994 (No.54 Second version), 13-15 March 1995 (Nos.73, 75), 5-7 March 1996 (Nos.76, 77)
Studio 1, Abbey Road, London 24 & 25 July 1990 (Nos.1, 2, 4, A), 27-29 June 1991 (Nos.3, 15, 17, 19, 20, 25), 28-30 January 1992 (Nos.14, 33, 36, B), 27-29 July 1991 (Nos.5, 11, 32), 30 November-2 December 1991 (Nos.10, 18, 27, 37)
Henry Wood Hall, London, 2-4 September 1995 (Nos.62, 63)
℗ 1992 (Nos.6-9, 12, 13, 16, 40, 72), 1993 (A, B, Nos.1-5, 10, 11, 14, 15, 17-20, 25, 27, 32, 33, 36, 37), 1996 (No.64), 1998 (Nos.54 First Version, 55-57, 60), 1999 (Nos.53, 54 Second Version, 61, 66-69), 2000 (Nos.62, 63, 70, 71, 73-75), 2005 (Nos.76, 77) Decca Music Group Limited
Kingsway Hall, London, 20 & 21 September 1983 (No.104), 21 & 22 November, 1983 (No.100)
℗ 1983 The Decca Record Company Limited, London

Recording Locations, Brüggen Sturm und Drang Symphonies
Blackheath Concert Halls, London, September 1994 (Nos.39, 41, 49), October 1995 (Nos.35, 44, 46, 51), January 1996 (Nos.38, 47, 48), February 1996 (Nos.43, 50, 65), December 1996 (Nos.26, 58, 59), March 1997 (Nos.42, 45, 52)
℗ 1998 Universal International Music BV (Nos.26, 35, 38, 39, 41-52, 58, 59, 65)

Recording Locations, Dantone Accademia Bizantina
Teatro Goldoni, Bagnacavallo (RA), Italy, 30 June-3 July (Nos.79, 81), 6-9 September 2015 (Nos.78, 80)
℗ 2016 Decca Music Group Limited

Recording Locations, Brüggen Paris Symphonies Nos.82-87 (Live Recordings)
Cité de la Musique, Paris, November 1996 (Nos.82, 84, 86)
Muziekcentrum Enschede, The Netherlands, November 1996 (No.83)
Vredenburg, Utrecht, The Netherlands, November 1996 (Nos.85, 87)
℗ 1999 Universal International Music BV

Recording Locations, Brüggen Symphonies Nos.88-92 · Sinfonia concertante
Vredenburg, Utrecht, The Netherlands, May 1984 (No.90, live recording), January 1995 (No.92, live recording), November 1988 (No.88), June 1996 (Sinfonia concertante), February 1997 (No.89)
Muziekcentrum Enschede, The Netherlands, May 1995 (No.91, live recording)
℗ 1988 (No.90), 1990 (No.88), 1996 (Nos.91, 92), 2000 (No. 89, Sinfonia concertante) Universal International Music BV

Recording Locations, Brüggen London Symphonies Nos.93-104
De Vereeniging, Nijmegen, The Netherlands, November 1986 (No.93), November 1987 (No.103), June 1991 (Nos. 99, 102)
Vredenburg, Utrecht and De Vereeniging, Nijmegen, The Netherlands, March 1992 (Nos. 94, 97)
Vredenburg, Utrecht, The Netherlands, June 1990 (No.100), November 1990 (No.104), October 1992 (No.98), May 1993 (Nos.95, 96)
Concertgebouw, Amsterdam, March 1987 (No.101)
℗ 1988 (Nos.93, 101, 103), 1992 (Nos.99, 10, 102, 104), 1994 (Nos.97, 98), 1995 (Nos.94-96) Universal International Music BV

Recording Locations, Saloman Arrangements of Nos.94, 100 & 104
Rosslyn Hill Chapel, London, September 1978 (No.94)
Woodford Parish Church, London, November 1982 (Nos.100 & 104)
℗ 1982 (No. 94), 1985 (Nos.100 & 104) Decca Music Group Limited
Barcode: 0 28947 89604 3 (Text)
Barcode: 028947896043 (Scanned)
Label Code: LC 00171
SPARS Code: DDD
Rights Society: BIEM/SDRM