🔎

art direction Daniel Sannwald
art direction Eartheater
design NMR
engineer Eartheater
engineer Kiri Stensby
engineer Santiago Latorre
ensemble, arranged by [chamber arrangements] Ensemble De Cámara CSMA
guitar, piano Eartheater
harp Marilu Donovan
lyrics by, arranged by, songwriter [music written by] Eartheater
mastered by Rashad Becker
mixed by Kiri Stensby
performer [ensemble] Laura Sorribas
performer [ensemble], flute [flute ii] Ana Navarro
performer [ensemble], flute [flute i] María del Barrio
performer [ensemble], violin [violin ii] Celia Álvarez
performer [ensemble], violin [violin i] Belén Pérez
photography by Daniel Sannwald
producer Eartheater
tracks b-xiv violin Adam Markiewicz
Copyright (c) Pan (3)
Phonographic Copyright (p) Pan (3)
Lacquer Cut At Ten Eight Seven Mastering
After sharing a fully reworked version of the album, Phoenix: La Petite Mort Edition, Pan now release a special, colour vinyl LP edition of it. Originally conceived as a “sleep” mix for Crack Magazine, Eartheater re-sculpted her entire album Phoenix into a seamless ambient edit.

“This is Phoenix crushing, undressing, and compressing like carbon particles under the weight of boulders folded into silky soil, and decomposing. She is folding over and over and over and over like the rolls of young gummy stone. This is one REM cycle. I suggest listening to Phoenix: La Petite Mort Édition while asleep after climax. You are wet ash smudged across a pillow case.”

Recorded in Zaragoza, Spain and Ridgewood, New York.

Special Thanks to FUGA and Outlands.

Tracklisting on inner sleeve is incorrect and lists the track order from Phoenix: Flames Are Dew Upon My Skin instead.

Barcode: 7 56029 61334 8
Matrix / Runout: PAN 112 A BEAU O TEN EIGHT SEVEN (Side A)
Matrix / Runout: PAN 112 B (Side B)