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art direction Toni Fitzpenn
bass Phil Joel
booking Scott Huie
coordinator [project coordinator] Debby Austin
crew [band pastor] Mr. C
crew [band pastor] Peter Furler
crew [bus driver] Mr. C
crew [lighting director] Steve Campbell
crew [lighting tech] Geddy
crew [road manager] Lott Shudde
crew [truck driver] Ken Koehn
design Joel Anderson
drums, guitar [occasional part], keyboards [occasional part], harmonica, kazoo, music by Peter Furler
engineer Steve Taylor
executive-producer Darrell A. Harris
executive-producer Wes Campbell
guitar Jody Davis
keyboards Jeff Frankenstein
lead vocals, backing vocals John James
lead vocals, backing vocals Peter Furler
lead vocals, backing vocals Phil Joel
management Wes Campbell
mastered by Bob Ludwig
mixed by Tom Lord-Alge
mixed by [encore studios assistant] Mauricio "Veto" Iragorri
mixed by [sixteenth avenue sound studios assistant] Pete Martinez
mixed by [south beach studios assistant] Cesar Sogbe
mixed by [south beach studios assistant] Juan Rosario
percussion Duncan Phillips
performer Newsboys
photography by [additional] Norman Roy
photography by [cover photo] George Barris
photography by [newsboys] Michael Wilson
producer Peter Furler
producer Steve Taylor
production manager Jeff Nolte
recorded by [eldorado recording studio assistant] Annette Cisneros
recorded by [eldorado recording studio assistant] Brian Jerden
recorded by [steve's studio assistant] Steve Broadway
recorded by [the carport assistant] Dennis Desmet
recorded by [the carport assistant] John Caudill
recorded by [the sanctuary assistant] Cindy Sutton
recorded by [the sanctuary assistant] Jamie Tate
recorded by [the sanctuary assistant] Mitch Eaton
recorded by [the sanctuary assistant] Scott Feltheim
recorded by [the sanctuary assistant] Shane Johnson
recorded by [the sanctuary assistant] Tim Jordan
recorded by [walls have ears assistant] Bill Stace
technician [drum tech] Shane
technician [guitar tech] Jon
whistling Peter Furler
whistling Phil Joel
Glass Mastered At EMI MFG.
Mastered at Gateway Mastering, Portland, Maine.
Recorded at The Sanctuary, Nashville; The Carport, Nashville; Eldorado Recording Studio, Hollywood; Steve's Studio, Stillwater, Oklahoma; Walls Have Ears, Milwaukee, Wisconsin.
Mixed at: Sixteenth Avenue Sound Studios, Nashville; South Beach Studios, Miami Beach; Encore Studios, Burbank.
Design for Anderson Thomas Design.
Cover photo courtesy of George Barris, King of the Kustomizers. The X-PAK 400 was created by Mr. Barris in the early 1960's during the Battle of the Air Cars.
Management for First Company Management.
Booking for Vanguard Entertainment.
Breakfast sing-a-long vocals courtesy of Stillwater, OK, Ottumwa, IA, and Milwaukee, WI concert goers.
For those interested, this album contains no sequencing or loops.
Tracks 1, 2, 4, 5, 6, 8 & 10: © 1996 Dawn Treader Music (SESAC)/Warner Alliance Music/Soylent Tunes (ASCAP). Dawn Treader Music Admin by EMI Christian Music Publishing. Warner Alliance Music/Soylnet Tunes Admin. by I.C.G.
Tracks 3, 7 & 11: © 1996 Dawn Treader Music (SESAC)/Urry Music Publishing. Dawn Treader Music Admin. by EMI Christian Music Publishing.
Track 9: © 1996 Dawn Treader Music (SESAC)/Helmet Publishing (BMI)/Warner Alliance Music/Soylent Tunes (ASCAP). Dawn Treader Music Admin. by EMI Christian Music Publishing. Warner Alliance Music/Soylent Tunes Admin by I.C.G.
© & ℗ 1996 Star Song Communications.
Distributed by Chordant Distribution Group.
Barcode: 7 2438-20075-2 4
Other: 7-474-01405-X (SPCN)
Matrix / Runout: SSD0075 1-1-11 MASTERED BY EMI MFG. (Variant 1)
Mastering SID Code: IFPI L043
Mould SID Code: ifpi 165K (Variant 1)
Matrix / Runout: SSD0075 1-1-17 MASTERED BY EMI MFG. (Variant 2)
Mastering SID Code: ifpi 165D (Variant 2)